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Here’s some hip-hop treats to pull your mind from finals for a bit & reward your musical taste buds.

No theme this week, just a random mix of some hot stuff I’ve been playing loudly this week.

 

A lot of praise for Good Kid, m.A.A.d. City but I’m a huge fan of Kendrick’s 1st album, Section.80. It undersold, which is a shame. But sales aren’t everything. The underground shook when Section.80 dropped, and the reception was an accepting nod. This track is one of the diamonds on the project.

 

 

Moooooore Kendrick – with a big splash of J. Dilla. Ohhhhh that SOUL. Can’t you feel it?!

 

 

Underground classic, from a classic underground duo.

 

 

What’chu know about that Aussie rap? Bliss N’ Eso is an ill group. Worth more than a listen – go check their discography.

 

 

Gotta have me some Busta Rhymes once in a while. Also can’t seem to escape Dilla. Here’s another he produced (as a member of the Ummah).

 

 

Not sure what it is about Choo; he’s just a likable artist. He’s on the up-and-up, so pay attention to him.

 

 

AHHH I did it again. More J. Dilla to close this edition of Mixtape Monday out. I played this version (the original has vocals over it) on my radio show last weekend. Filthy beat.

 

 

I’m not the biggest Mac Miller fan. Lately, I haven’t been into his music at all. I liked his KIDS and Best Day Ever mixtapes simply because they were fun, positive, enthusiastic – and as a teenager in high school, I could relate to a lot of it. As I’ve grown out of high school, and since Mac Miller has progressed in his career, I’ve lost touch with his music. I respect his hustle, his persistence with rap, and his knowledge of hip-hop, but I don’t get excited about his music like I used to. I like that he’s experimented with music – along with rapping he’s been producing, and has put out a jazz EP under the pseudonym Larry Lovestein. He’s bold, and I respect that. But in terms of rapping, he’s nothing more than mediocre.

With that said, yesterday he dropped the music video for a track he made with the production of Flying Lotus. YES. Finally something I really enjoy from Mac Miller lately. The video is strange, weird, creative, humorous, sarcastic. There’s always something you can appreciate in an artist. I’m exercising that thought. Mac Miller will always annoy me in some way, but I do respect him.

 

Finals week has almost pushed Mixtape Monday off the to-do list. I’ve been busier than ever, but didn’t want to disappoint and not come through with some tracks this week. With just over an hour before Tuesday hits, I’m running it close. It wasn’t pretty, but I’ve managed to find enough time to gather some music for you. Not much description given the circumstances, but sometimes it’s best just to let the music do the talking. Enjoy.

 

One of my favorite Macklemore songs.

 

 

Funny, clever song…

 

 

Huge fan of the Blue Scholars. Intricate rhymes, awesome flow and conscious lyrics over smooth beats. Saw them live at Paradise Rock Club in Boston. Ill show. (The next song is from Sol, who opened the show for them).

 

 

 

Another awesome underground duo. Rapper RA Scion has an ILL flow, and unique voice. And Sabzi, who is on the production for Common Market is also the producer for the Blue Scholars. Small world.

 

“Why do bad things happen to good people? Seems that life is just a constant war between good and evil.”

 

That was most likely the sentiment of all those involved with hip-hop when MC Keith Elam – the very person who spoke those words – passed away. Elam, known in the hip-hop world as Guru, died on this day – April 19th – three years ago.

His name was an acronym, which stood for “Gifted Unlimited Rhymes Universal” – and he had plenty of rhymes, indeed.

A Roxbury, Massachusetts native, Guru’s career took off with his founding of Gang Starr in 1985. Gang Starr began in Boston as a hip-hop group consisting of various rappers and producers. However, the it released a handful of records that failed to receive much attention. The group inevitably split in 1989, leaving Guru as the only member willing to pick up the pieces. He found the perfect fit in Houston, Texas native Christopher Martin – better known as DJ Premier [I’ll refer to him as Premo] – who would soon become one of the best hip-hop producers of all time.

Along with Gang Starr, Guru did some solo work – most notably his experimental fusion of live jazz music and rap in a series of albums titled Guru’s Jazzmatazz. From 1993 to 2007, Guru released four volumes. He worked with jazz musicians such as Donald Byrd, Herbie Hancock, Branford Marsalis, Lonnie Liston Smith, Roy Ayers, among others.

He also scored guest appearances from Slum Village, Pharrell, Erykah Badu, Big Shug, Common, Macy Gray, The Roots, Bilal, and others.

In Vol. 1 (1993), Guru speaks about the project:

“Peace yo, and welcome to Jazzmatazz –an experimental fusion of hip-hop and live jazz. I’m your host the Guru. That stands for “Gifted Unlimited Rhymes Universal.” Now I’ve always thought of doing something like this, but I didn’t want to do it unless unless it was going to be done right, know what I’m saying? Because hip-hop, rap music, it’s real. It’s musical, cultural expression based on reality; and at the same time, jazz is real and based on reality.”

Here’s a cut off Vol. 3 (2000), featuring Erykah Badu.

 

 

But with the addition of Premo in 1989, Gang Starr would become most critical to Guru’s legacy. With himself as the rapper and Premo as DJ and producer, Gang Starr grew to be loved by underground hip-hop fans everywhere. The newly organized duo pumped out its debut album in 1989 with the release of No More Mr. Nice Guy. The album displayed the jazzy samples and eye-crossing scratches of Premo, while showcasing Guru’s talents as an uplifting, positive rapper who could also pack a punch full of attitude with braggadocious bars. No More Mr. Nice Guy set the tone for what would be fourteen years of classic, underground hip-hop.

 

 

 

Gang Starr went on to create five more studio albums from 1991 to 2003. The duo drew massive attention from the hip-hop community and helped construct the reputation of East Coast rap. Guru’s self-described smooth, but rugged monotone delivery captivated listeners around the world. I considered the 1998 album Moment of Truth to be the most popular Gang Starr record (and my personal favorite – so yes, there is some bias). The title track, along with “You Know My Steez”, “Above the Clouds”, and “Next Time” are among the most recognizable cuts from Gang Starr.

 

 

I remember when my brother brought home Dave Mirra’s Pro BMX 2 for our Playstation2. That was the first time I heard Gang Starr, and it was this song. Even at the clueless age of eight years old, I was still impacted by “Moment of Truth”. The words caught on, and I began rapping Gang Starr lyrics around the house (of course without the swears because the game censored them). It was really my first taste of 90s rap. In hindsight, I owe a lot to the late 90s and early 2000s video games for introducing me to rap. Games like Dave Mirra, Tony Hawk Pro Skater, and NBA Live introduced me to Tribe, Gang Starr, Rage Against the Machine, Naughty By Nature, and Public Enemy.

It was a time when I was too young to find that music on my own, and of course my parents wouldn’t buy albums for me because of the stigma about rap. But beyond the profanity, “Moment of Truth” is a positives song, and while I lacked specific understanding of Guru’s lyrics, I caught the gist of being honest, reflective, and humble.

 

“Actions have reactions, don’t be quick to judge/

You may not know the hardships people don’t speak of/

It’s best to step back, and observe with couth/

For we all must meet our moment of truth.”

“No one is untouchable, no man is bulletproof /

We all must meet our moment of truth.”

 

Legendary words.

 

 

One of Guru’s best brag raps, “You Know My Steez.”

 

 

Above the clouds features a Premo beat with enough bump to make your heart leap out of your chest. Your head will bob itself. Guru’s voice was perfect for Premier’s raw, rugged, New York style beats. His lyrics in this track are some of his best, in my opinion – playing on godly figures and outer space references. It was a complete package for Guru, too, speaking with captivating flow and commanding delivery:

 

“I Self Lord And Master, shall bring disaster to evil factors/

Demonic chapters, shall be captured by Kings/

Through the storms of days after/

Unto the Earth from the Sun through triple darkness to blast ya/

With a force that can’t be compared/

To any firepower, for its mind power shared/

The brainwave causes vessels to circulate/

Like constellations reflect at night off the lake/

Word to the father, and Mother Earth/

Seeking everlasting life through this Hell for what it’s worth/

Look, listen and observe/

And watch another Cee Cypher pullin’ my peeps to the curb/

Heed the words; it’s like ghetto style proverbs/

The righteous pay a sacrifice to get what they deserve/

Cannot afford to be confined to a cell/

Brainwaves swell, turnin’ a desert to a well/

Experience the best teacher; thoughts will spray/

Like street sweepers Little Daddy street preacher/

Illustrious feature, narrator you select/

Accompanied by Deck plus the DJ you respect.”

 

Gang Starr suffered a fallout after its last album, The Owners, in 2003. I felt it was noteworthy, but unnecessary to the point of this piece. Today I wanted to celebrate the legacy of the late, great Guru for everything he contributed to hip-hop, all the inspiration he provided for me as I grew up and cultivated my love for hip-hop. Three years ago he sadly passed away, but his memory lives on through the musical trail he left with his distinctive voice and sharp rhymes.

Rest In Peace Keith Elam, Aka Guru, we’re all still listening.

ripguru

 

Some more Gang Starr classics…

 

 

Logic just released a new track on his Soundcloud. The song – titled “Roll Call” has racked up over 35,000 plays in the eight hours it has been online.  XXL Magazine, Illroots, The Source, and Logic’s new label – Def Jam Records – have all spread the news of the release.

Logic raps uses a famous beat (this time, Outkast’s “Ms. Jackson”) – something that Young Sinatra is known to do, as evident throughout his string of mixtapes over the past three years. Some other famous beats he has spit over in the past include Milkbone’s “Keep It Real” (The beat behind Big L’s famous freestyle with Jay-Z), Lord Finese’s “Hip 2 da Game”, Biggie’s “Kick In the Door”, among others.

“Roll Call” will be featured on Logic’s newest Mixtape Young Sinatra: Welcome to Forver, which is set to drop on May 7 [Source].

Macklemore is DOING IT!

He was already beginning to see success with songs, “Irish Celebration” “Otherside” and “Wings.” But he hit another level when he dropped singles “Thrift Shop” and “Same Love.” Since those releases, Mack’s career has elevated to mainstream status. He’s been on countless talk shows, sold out countless shows, and topped charts all over the world. The best part is that he’s doing it in the most genuine, humble way – which is a nice change for mainstream music.

I remember when he was playing at 800-person venues and touring in a van.  Since I’ve been listening, I’ve really believed in this guy. And while I’ve been annoyed by the overplaying of “Thrift Shop,” I’m still happy to see how much recognition Macklemore has received. He really deserves it.

Here’s his latest music video, for the song, “Can’t Hold Us” and I was really impressed. I think it’s his best music video so far – There scenery is beautiful, they filmed in a plethora of locations, the shots are on point, and they tweaked the music a little bit, giving it a little extra flavor. Overall great production.

…It’s also nice to hear something other than “Thrift Shop” from Mack, no offense to that song…

You read the headline correctly. Madlib’s alter-ego Quasimoto is making a comeback. Not much information out there, but I figured I would spread the news anyway. The new project was announced on Quasimoto’s Facebook page (see snapshot below). The new release will be called Yessir Whatever, which comes eight years after the 2005 album The Further Adventures of Lord Quas. Madlib’s other album under the Quasimoto pseudonym was The Unseen, which dropped in 2000. I can’t wait to see what Lord Quas has been brewing in the past eight years. Stay tuned for updates.

 

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For the second installment of Mixtape Monday, I had to find that gritty, hard stuff. Enjoy.

 

This song comes off GZA’s lesser-known album Beneath the Surface, which dropped four years after the highly acclaimed Liquid Swords release. Personally, I think Beneath the Surface is an underrated album. Sure, the production would have been better if RZA was more involved (like he was on Liquid Swords) but I think Beneath the Surface carries its own weight. This song “Hip-hop Fury” is one of my favorite tracks from GZA’s solo catalog…

 

 

Lately I’ve been all about Roc Marciano, thanks to my friend Rug Lyfe. Roc just has it going on. He’s got a mean flow, commanding delivery, and dope rhymes (with some subtly hilarious lines). He’s also backed by some solid production, which is done predominantly by himself along with appearances from Q-Tip and The Alchemist. Plus, this is one of my favorite music videos ever. Roc really represents that New York, East Coast, rugged hip-hop style. He’s just the dude. That’s all I can really say…

 

 

I refrained from posting C.R.E.A.M. because it’s pretty much guaranteed that anyone who opens this page has heard that song. Tried to post something different here (yes, I’m being that guy). This track, “Cash Still Rules” still knocks. Raekwon, Method and Ghost speak on this track, over 4th Disciple’s beat – a change-up from the usual RZA production…

 

 

I couldn’t leave immortal Technique out of this edition of Mixtape Monday. The Harlem rapper murders this beat. Opening bars:

 

“The bling-bling era was cute but it’s about to be done/

I leave ya full of clipse [eclipse] like the moon blocking the sun/

My metaphors are dirty like herpes but harder to catch/

Like an escape tunnel in prison – I started from scratch/

And now these parasites want a percent of my ASCAP/

Trying to control perspective like an acid flashback/

But here’s a quotable for every single record exec: /

Get your f***ing hands out my pocket n***a’ like Malcolm X/

But this ain’t a movie, I’m not a fan or a groupie/

And I’m not that type of cat you can afford to miss if you shoot me/

Curse to heavens and laugh when the sky electrocutes me/

Immortal Technique stuck in your thoughts, darkening dreams/

No ones as good as me, they just got better marketing schemes/

I leave you to your own destruction like sparking a fiend.”

 

Metaphysics is on the production, but it always reminds me of Pete Rock’s “Cake.” They sound exactly the same – both sampling Isaac Hayes’ “Ike’s Rap I.” Metaphysics slowed it down more than Pete, however. The piano is creepy, sending a chill down your spine. The simplistic drum beat underneath the keys adds that rough New York style. I’m a huge fan of Immortal Technique. I love what he does with hip-hop, and this track is one of his best.

 

When I think of rugged producers, the first producer that comes to mind is Premo. In “Full Clip” his scratches are too nice; just raw hip-hop. Makes my heart jump out of my chest. Guru’s cleverly written and delivered brag lyrics add to the grit of this track:

 

“Attackin’ like a slick apache/

Lyrics are trigger happy/

Blowin’ back your wig piece just for the way you lookin’ at me/

Cock back, blow, I hit you up right now/

I don’t know why so many y’all wanna be thugs anyhow/

Face the consequence, of your childish nonsense/

I can make your head explode just by my lyrical content/

Get you in my scope and metaphorically snipe ya/

I never liked ya. I gas that ass and then ignite ya/

The flamethrower, make your peeps afraid to know ya/

How many times I told ya? Play your position small soldier.”

 

Havoc flipped Al Green and churned out this raw beat. Mobb Deep got Nas and Raekwon on the track and they didn’t disappoint. I never mind a 4-verse song, especially when Prodigy, Havoc, Nas and Raekwon are the ones on it.

 

 

Shouts out to Rug Lyfe again. First it was Roc Marciano, then Sean Price. Did you hear that beat, too?! Well, no wonder you like it – it’s the Alchemist (who, I have to become more familiar with). Sean Price also has the best opening bars I’ve ever heard:

 

“I don’t want to dougie, I just want money/

Studied under the understudy, the one-twenty/

Young dummies, can’t spar/

No life. My flow tight, like your pants are”

 

Ooooof! Get outta here!!

 

 

Three legendary hip-hop producers will be speaking about the, “Music of Hiphop,” according to the Hiphoparchive.org. The event will be held Harvard University’s Memorial Church, and the event begins at 5pm with doors opening at 4:30.

Pete Rock and Dj Premier are widely regarded as two of the best hip-hop producers of all time. Both producers contributed to one of the best hip-hop albums of all time, Nas’ Illmatic.

Besides Illmatic, Pete is mostly known as half of the duo Pete Rock & C.L. Smooth and his instrumental album, Petestrumentals. But Pete has also collaborated with Smif-N-Wessun, ini, and Boston native, Edo G. Dj Premier is most known as the producer for the duo, Gangstarr from 1989-2003. Both Pete and Premier have collaborated with many other artists, which would be unnecessary to list here.

9th Wonder has been in the game since the late 90s. Premo, Pete Rock, and the deceased J dilla are some of his influences. The grammy-winning producer (from production on Mary J. Blige’s album, The Breakthrough) has worked with a ton of artists such as Erykah Badu, Drake, Murs, Mac Miller, Wale and many more.

For more information on the Harvard event, visit http://www.hiphoparchive.org/node/9561

Jermaine Cole, known as rapper J.Cole has announced the release date [June 25th] of his new album is via Twitter.  The album, titled Born Sinner is the second studio album released by the 28 year-old rapper. He also has three mixtapes on his resume, and also some productions under his belt.

 

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